More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
336 prompts matching "Let me explain: Genre conventions and their effect on how a text is read"
Teach me: The oath More refuses and why
You are my personal SS3 Literature-in-English tutor. Teach me the oath More refuses and wh
Teach me: Soyinka's imagery of darkness and weight
You are my personal SS3 Literature-in-English tutor. Teach me Soyinka's imagery of darknes
Teach me: What makes Hearty Garlands an occasional poem
You are my personal SS3 Literature-in-English tutor. Teach me what makes Hearty Garlands a
Teach me: Byron's balance of dark and bright
You are my personal SS3 Literature-in-English tutor. Teach me Byron's balance of dark and
Teach me: Chanticleer and Pertelote as characters
You are my personal SS3 Literature-in-English tutor. Teach me Chanticleer and Pertelote as
Teach me: The references to slavery and ancestry in Still I Rise
You are my personal SS3 Literature-in-English tutor. Teach me the references to slavery an
Literature revision: The theme of tradition and change in So the Path Does Not Die
Act as my WAEC English tutor. I am in SS 3. Revise the theme of tradition and change in So
Quotation bank: The treatment of migration and return in So the Path Does Not Die
Act as my WAEC English tutor. I am in SS 3. Build me a quotation bank for the treatment of
Spot my mistake: Assuming the persona of a poem is always the poet speaking in their own voice
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming the persona of
Spot my mistake: Choosing quotations for their beauty rather than for what they prove
Act as my SS3 Literature-in-English tutor. Write a short answer on choosing quotations for
Spot my mistake: Reducing the conflict to a simple good and bad
Act as my SS3 Literature-in-English tutor. Write a short answer on reducing the conflict t
Practice set: Analysing the effect of a structural choice
Act as my SS3 Literature-in-English tutor. Give me five practice questions on analysing th
Spot my mistake: Calling every comparison a metaphor even where the word like or as is present
Act as my SS3 Literature-in-English tutor. Write a short answer on calling every compariso
Spot my mistake: Treating two contrasting settings in a play as mere locations rather than as opposed values
Act as my SS3 Literature-in-English tutor. Write a short answer on treating two contrastin
Spot my mistake: Answering a question on theme by narrating the plot from beginning to end
Act as my SS3 Literature-in-English tutor. Write a short answer on answering a question on
Spot my mistake: Saying what a symbol stands for without showing where the text supports the reading
Act as my SS3 Literature-in-English tutor. Write a short answer on saying what a symbol st
Spot my mistake: Reading dramatic irony as any moment in a play that surprises the audience
Act as my SS3 Literature-in-English tutor. Write a short answer on reading dramatic irony
Spot my mistake: Treating a poem's subject matter as its theme
Act as my SS3 Literature-in-English tutor. Write a short answer on treating a poem's subje
Spot my mistake: Assuming a refrain carries the same weight on every repetition
Act as my SS3 Literature-in-English tutor. Write a short answer on assuming a refrain carr
Spot my mistake: Reading a first-person poem as autobiography and judging it true or false
Act as my SS3 Literature-in-English tutor. Write a short answer on reading a first-person