More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
241 prompts matching "One personal response per chapter"
Spot my mistake: Submit a scene-by-scene summary of the play in no more than 400 words
Show me a worked example on submit a scene-by-scene summary of the play in no more than 40
Practice set: Writing a paragraph of at least 200 words explaining what the elephant represents
Set me five practice tasks on writing a paragraph of at least 200 words explaining what th
Spot my mistake: Four ways the playwright uses proverbs
Show me a worked example on four ways the playwright uses proverbs with an error somewhere
Teach me: The plot of Efua Sutherland's The Marriage of Anansewa
Be my SS2 Literature in English teacher for this one point: the plot of Efua Sutherland's
Quiz: Interpreting the themes of survival, deception, parental ambition and communal judgement
Quiz me on interpreting the themes of survival, deception, parental ambition and communal
Real-life Nigeria: Anansegoro and its roots in Akan storytelling
Show me how anansegoro and its roots in Akan storytelling works in real life in Nigeria. U
WAEC prep: Writing a what-how-why paragraph of at least 200 words on the function of the Storyteller
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Practice set: Producing a comparison grid setting Ananse against a named character from Once Upon an Elephant
Set me five practice tasks on producing a comparison grid setting Ananse against a named c
Spot my mistake: Who Elma Shaw is, the Liberian civil-war setting of Redemption Road
Show me a worked example on who Elma Shaw is, the Liberian civil-war setting of Redemption
Quiz: The author's diction, including her handling of Liberian English
I am revising Redemption Road I for SS2 Literature in English. Test me on the author's dic
Real-life Nigeria: Vocabulary workshop on the Liberian English of the dialogue
Show me how vocabulary workshop on the Liberian English of the dialogue works in real life
Spot my mistake: Gloss ten expressions of Liberian English
Show me a worked example on gloss ten expressions of Liberian English with an error somewh
Spot my mistake: The novel's themes of guilt, forgiveness
Write a short SS2 Literature in English answer about the novel's themes of guilt, forgiven
Teach me: How characterisation is achieved for the principal figures
I am an SS2 student studying Redemption Road II in Literature in English. Explain how char
Quiz: Selecting and organise evidence for a full essay
Set me a quick recall test on selecting and organise evidence for a full essay at SS2 leve
Practice set: Writing a 40-minute essay of at least 500 words on how Elma Shaw presents guilt
Set me five practice tasks on writing a 40-minute essay of at least 500 words on how Elma
Spot my mistake: Rewrite four appended quotations as embedded quotations and underline the embedding
Show me a worked example on rewrite four appended quotations as embedded quotations and un
WAEC prep: Four turning points in the plot
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Teach me: The presentation of survival in Path of Lucas with that in Redemption Road, compared
Be my SS2 Literature in English teacher for this one point: the presentation of survival i
Practice set: Novel's setting and on reading distressing material at a critical distance
Give me a practice set on novel's setting and on reading distressing material at a critica