More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
302 prompts matching "Analysing a passage of Bellefeuille's prose for character and tone"
Real-life Nigeria: Producing a structure map of each poem on A3
Take producing a structure map of each poem on A3 out of the textbook. Describe a real Nig
Practice set: Style table with columns for diction, mood
Give me a practice set on style table with columns for diction, mood for SS2 Literature in
WAEC prep: Writing a comparison paragraph of at least 200 words on how the two poets use natural imagery
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Let me explain: The themes of deception, false hope, grief
Let me talk you through the themes of deception, false hope, grief from the Adcock and Gib
Teach me: GCSE English Literature unseen poetry asks for the same two-step move
I am an SS2 student studying Adcock and Gibson in Literature in English. Explain GCSE Engl
Real-life Nigeria: Rhyme-scheme notation on the board using the first two stanzas of 'The Stone'
Show me how rhyme-scheme notation on the board using the first two stanzas of 'The Stone'
WAEC prep: Submit a completed suspense timeline for both poems with four marked stages each
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Real-life Nigeria: Recording every stage direction and to ask what an audience sees rather than hears at that
Take recording every stage direction and to ask what an audience sees rather than hears at
Real-life Nigeria: Anansegoro and its roots in Akan storytelling
Show me how anansegoro and its roots in Akan storytelling works in real life in Nigeria. U
Practice set: Performing an mboguo interlude with clapping or percussion
Give me a practice set on performing an mboguo interlude with clapping or percussion for S
WAEC prep: Writing a what-how-why paragraph of at least 200 words on the function of the Storyteller
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Project task: Close reading of the opening chapter in pairs
Give me a practical task on close reading of the opening chapter in pairs from Redemption
Real-life Nigeria: Vocabulary workshop on the Liberian English of the dialogue
Show me how vocabulary workshop on the Liberian English of the dialogue works in real life
Let me explain: Complete the chapter-by-chapter summary of Redemption Road
Let me talk you through complete the chapter-by-chapter summary of Redemption Road from th
Spot my mistake: Rewrite four appended quotations as embedded quotations and underline the embedding
Show me a worked example on rewrite four appended quotations as embedded quotations and un
Let me explain: Producing a chapter-by-chapter summary of the novel
I am going to explain producing a chapter-by-chapter summary of the novel to you, as an SS
Practice set: Novel's setting and on reading distressing material at a critical distance
Give me a practice set on novel's setting and on reading distressing material at a critica
Practice set: West African diaspora and the novel's two settings
Give me a practice set on west African diaspora and the novel's two settings for SS2 Liter
WAEC prep: Four themes of the novel
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Let me explain: Harper Lee's use of a retrospective child narrator
Let me talk you through harper Lee's use of a retrospective child narrator from the To Kil