More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
302 prompts matching "Assuming a political poem must name the government it attacks to count as protes"
Spot my mistake: Four ways the playwright uses proverbs
Show me a worked example on four ways the playwright uses proverbs with an error somewhere
Teach me: The plot of Efua Sutherland's The Marriage of Anansewa
Be my SS2 Literature in English teacher for this one point: the plot of Efua Sutherland's
Real-life Nigeria: Anansegoro and its roots in Akan storytelling
Show me how anansegoro and its roots in Akan storytelling works in real life in Nigeria. U
Practice set: Performing an mboguo interlude with clapping or percussion
Give me a practice set on performing an mboguo interlude with clapping or percussion for S
Project task: Paired plotting of Ananse's four suitor schemes on a flow diagram
Set me a small project on paired plotting of Ananse's four suitor schemes on a flow diagra
Spot my mistake: How Sutherland makes the ending of the play satisfying, in a 30-minute response
Show me a worked example on how Sutherland makes the ending of the play satisfying, in a 3
Spot my mistake: Who Elma Shaw is, the Liberian civil-war setting of Redemption Road
Show me a worked example on who Elma Shaw is, the Liberian civil-war setting of Redemption
Teach me: The opening third of the novel chapter by chapter, recording narrative viewpoint and time shifts
You are my personal SS2 Literature in English tutor. Teach me the opening third of the nov
Quiz: The author's diction, including her handling of Liberian English
I am revising Redemption Road I for SS2 Literature in English. Test me on the author's dic
Project task: Close reading of the opening chapter in pairs
Give me a practical task on close reading of the opening chapter in pairs from Redemption
Real-life Nigeria: Vocabulary workshop on the Liberian English of the dialogue
Show me how vocabulary workshop on the Liberian English of the dialogue works in real life
Let me explain: Complete the chapter-by-chapter summary of Redemption Road
Let me talk you through complete the chapter-by-chapter summary of Redemption Road from th
Spot my mistake: The novel's themes of guilt, forgiveness
Write a short SS2 Literature in English answer about the novel's themes of guilt, forgiven
Practice set: Completing the chapter log for the remaining chapters and colour-code rows by dominant theme
Give me a practice set on completing the chapter log for the remaining chapters and colour
Project task: Embedding a quotation inside a sentence three ways on the board
Set me a small project on embedding a quotation inside a sentence three ways on the board,
Practice set: Writing a 40-minute essay of at least 500 words on how Elma Shaw presents guilt
Set me five practice tasks on writing a 40-minute essay of at least 500 words on how Elma
WAEC prep: Four turning points in the plot
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Let me explain: Producing a chapter-by-chapter summary of the novel
I am going to explain producing a chapter-by-chapter summary of the novel to you, as an SS
Spot my mistake: The themes of endurance, isolation, care and self-worth
Give me a wrong or muddled explanation of the themes of endurance, isolation, care and sel
Practice set: Novel's setting and on reading distressing material at a critical distance
Give me a practice set on novel's setting and on reading distressing material at a critica