More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
302 prompts matching "Let me explain: Shaw's handling of multiple viewpoints"
Practice set: Measuring Antony against his former self
Give me a practice set on measuring Antony against his former self for SS2 Literature in E
Real-life Nigeria: Marking one page of Act III for shifts between verse
Show me how marking one page of Act III for shifts between verse works in real life in Nig
Teach me: The extent to which Antony is a tragic hero
I am an SS2 student studying Antony and Cleopatra II in Literature in English. Explain the
Project task: Character-and-quotation bank of twelve entries across Antony
Set me a small project on character-and-quotation bank of twelve entries across Antony, th
Spot my mistake: The subject matter of each poem
Give me a wrong or muddled explanation of the subject matter of each poem from the Osundar
Practice set: On a shared theme grid: each group takes one theme
Give me a practice set on a shared theme grid: each group takes one theme for SS2 Literatu
Quiz: The background of S. O. H. Afriyie-Vidza
Quiz me on the background of S. O. H. Afriyie-Vidza, from the SS2 Literature in English to
Teach me: GCSE English Literature unseen poetry asks for the same two-step move
I am an SS2 student studying Adcock and Gibson in Literature in English. Explain GCSE Engl
Practice set: How Gibson makes the ending of 'The Stone' moving, in 25 minutes
Set me five practice tasks on how Gibson makes the ending of 'The Stone' moving, in 25 min
WAEC prep: Complete the characterisation table for four characters with one quotation in every cell
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Practice set: Producing a comparison grid setting Ananse against a named character from Once Upon an Elephant
Set me five practice tasks on producing a comparison grid setting Ananse against a named c
Project task: Close reading of the opening chapter in pairs
Give me a practical task on close reading of the opening chapter in pairs from Redemption
Real-life Nigeria: Vocabulary workshop on the Liberian English of the dialogue
Show me how vocabulary workshop on the Liberian English of the dialogue works in real life
Practice set: Writing a paragraph of at least 180 words on how the opening chapter establishes setting
Set me five practice tasks on writing a paragraph of at least 180 words on how the opening
Teach me: How characterisation is achieved for the principal figures
I am an SS2 student studying Redemption Road II in Literature in English. Explain how char
Real-life Nigeria: Four moments where the narrator withholds detail
Show me how four moments where the narrator withholds detail works in real life in Nigeria
WAEC prep: Complete the four-row comparison grid with two quotations per cell
Act as my WAEC Literature in English examiner. I am in SS2. Set me an exam-standard questi
Practice set: How the writer makes one moment in the novel particularly moving, in a 30-minute response
Set me five practice tasks on how the writer makes one moment in the novel particularly mo
Practice set: How the writing in the verdict passage conveys the reaction of the courtroom, in 25 minutes
Set me five practice tasks on how the writing in the verdict passage conveys the reaction
Spot my mistake: Interpreting the poem's argument about language, colonial inheritance and identity
Give me a wrong or muddled explanation of interpreting the poem's argument about language,