More than one set-text list, on purpose
WAEC, NECO and NERDC prescribe set texts that change from session to session, and schools do not all follow the same list in the same year. So this subject covers several — Harvest of Corruption, Faceless, To Kill a Mockingbird, So the Path Does Not Die, Once Upon an Elephant, An Inspector Calls, Redemption Road and The Marriage of Anansewa among the plays and novels, with the prescribed poems alongside them. Work to the list your school is teaching this session and ignore the rest: meeting a text here is not a sign that it is on your paper. Use the year filter and the topic chips to find yours, and check your school's current list if you are not sure.
336 prompts matching "Submit one page annotated three times in three colours with at least six notes p"
Spot my mistake: Treating Ananse as a straightforward villain
Act as my SS3 Literature-in-English tutor. Write a short answer on treating Ananse as a st
Teach me: The Inspector's argument about shared responsibility
You are my personal SS3 Literature-in-English tutor. Teach me the Inspector's argument abo
Let me explain: The generational divide in the family's response
I have just studied the generational divide in the family's response in my SS3 Literature-
Teach me: How the Inspector controls the pace of the play
You are my personal SS3 Literature-in-English tutor. Teach me how the Inspector controls t
Let me explain: His use of the photograph
I have just studied his use of the photograph in my SS3 Literature-in-English class. Let m
Let me explain: The pressure his family puts on him
I have just studied the pressure his family puts on him in my SS3 Literature-in-English cl
Let me explain: What his survival says about the play's world
I have just studied what his survival says about the play's world in my SS3 Literature-in-
Teach me: The father's plea to his son in Okara's poem
You are my personal SS3 Literature-in-English tutor. Teach me the father's plea to his son
Let me explain: The generation that abandons the old tongue in Kamara
I have just studied the generation that abandons the old tongue in Kamara in my SS3 Litera
Teach me: Soyinka's imagery of darkness and weight
You are my personal SS3 Literature-in-English tutor. Teach me Soyinka's imagery of darknes
Let me explain: The disappearances in Not My Business
I have just studied the disappearances in Not My Business in my SS3 Literature-in-English
Let me explain: The elegiac note in The Breast of the Sea
I have just studied the elegiac note in The Breast of the Sea in my SS3 Literature-in-Engl
Let me explain: Heaney's memory of his father and grandfather
I have just studied Heaney's memory of his father and grandfather in my SS3 Literature-in-
Let me explain: The sea and clam imagery in Soyinka's Night
I have just studied the sea and clam imagery in Soyinka's Night in my SS3 Literature-in-En
Let me explain: Age eighty-five and the twilight imagery of Hearty Garlands
I have just studied age eighty-five and the twilight imagery of Hearty Garlands in my SS3
Let me explain: The sound imagery of spade and gravel in Digging
I have just studied the sound imagery of spade and gravel in Digging in my SS3 Literature-
Teach me: The references to slavery and ancestry in Still I Rise
You are my personal SS3 Literature-in-English tutor. Teach me the references to slavery an
Spot my mistake: Calling every comparison a metaphor even where the word like or as is present
Act as my SS3 Literature-in-English tutor. Write a short answer on calling every compariso
Spot my mistake: Treating a first-person narrator's opinions as the novelist's own view
Act as my SS3 Literature-in-English tutor. Write a short answer on treating a first-person
Spot my mistake: Treating a soliloquy as a monologue spoken to another character on stage
Act as my SS3 Literature-in-English tutor. Write a short answer on treating a soliloquy as